Tuesday, September 25, 2018




Still from the video "The Mouth of Daugava" (Tanel Rander, 2018)

https://vimeo.com/290014952

https://lcca.lv/en/events/laikmetigas-makslas-izstade--kopiga-vesture-/


The Mouth of Daugava

Friedrich Ludwig von Maydell (1795 – 1846) was a Baltic-German artist, based in the region that is now known as Estonia. He produced series of graphic works that depicted the history of Germans in the eastern shores of the Baltic sea. Those works were published in albums, titled as “Fifty Images from the History of Russia’s German Baltic Provinces”. Here you are witnessing one of these albums, borrowed from the collection of the Art Museum of Estonia. More precisely, you are witnessing the work that the artist depicts as the starting event of the history of the Baltic states – “First Landing of the Bremen Merchants at the Mouth of the River Daugava. 1156” (1839).

Most of all, this work speaks about the gaze of the artist as the subject of the modern era, also as the member of the privileged class in the society based on slavery. This gaze over the history is similar to the numerous images that depict the landing of Christopher Columbus in the Caribbean islands. Maydell portrays the encounter between the Bremen merchants and the local natives as the act of trade. The image contains some details that refer to the elements known from the history of European colonialism. Please find these elements from the image and read the explanations added by me.

a) Alcohol – the establishment of the system of dependency and control, used by colonial powers.
b) Furs – natural resources and raw materials that are needed by colonizers in places inhabited by natives.
c) Mirror – the establishment of the system of representation and validation, also the production of identity, history, knowledge and subjectivity.
d) Trade beads – the establishment of the medium of exchange.

The area around the mouth of Daugava should be preserved as public space and the site should be celebrated as the historical landmark of colonial history in the Baltics.

Saturday, September 15, 2018

A MOLE, LARGER IN SIZE THAN EVER SEEN BEFORE

Kurmis, tik liels, kādu neviens nav redzējis

22.08. - 16.09. in Brivibas galerija



Tuesday, May 8, 2018


Brīvības galerija
("brivibas" in Latvian = "freedom" in English)
Art space and research project
 From April to October 2018 it was located at 
Vabaduse 14, Valga/Valka,
the border town between Estonia and Latvia.
("vabaduse" in Estonian = "brivibas" in Latvian)

exhibitions and events: 
April - solo exhibition "Weird feeling" by Alexei Gordin
June - nameless exhibition by Juka Käärmann and Hülle Haab
July - open studio of Hanna Samoson
August - Tanel Rander's curator project "A Mole, Larger in Size Than Ever Seen Before"

The building at Vabaduse 14, Valga is where the family of Hella Wuolijoki and Salme Dutt used to live in the late 19th century.








Tuesday, April 17, 2018


The exhibition “What do you see? What would you like to see?” is part of the collective artistic research “100 poplars” that is based on exhibitions, events and artist residencies in Valga. The exhibition is focused on identity creation and brings together perspectives and viewpoints of locals and outsiders. During the time of construction of the new central square that would unite Valga and Valka it is appropriate to think about developing the idea of the united city also in other contexts – in human relations, institutions, general mode of life. The global capital abolishes borders and generates the new ones. Art, in the other hand, has potential for autonomy in respect of the global capital. Therefore this exhibition calls up people to think of a united city by using artistic approach, intervention and activism.

“What do you see? What would you like to see?” is part of the trilogy, comprised of three exhibitions in three different locations. Simultaneously with this show a brand new art space – Brīvības galerija, located in Vabaduse 14, Valga (30 meters from the museum) – will open its doors to present Alexei Gordin's solo show “Weird feeling”. Gordin's exhibition speaks of an unstable position that artists have under the influence of contemporary art and art market. Brīvības galerija itself is an art project and brings up a rhetorical question – would the united city Valgka need an art gallery? Besides this, the third exhibition will be opened in the middle of April. On 11th of April German/Polish artist and activist Michael Kurzwelly will open his exhibition in Valga Cultural Center. The show introduces his continuous initiative “Slubfurt” that is based in Frankfurt Oder/Slubice, located at the German-Polish border. Slubfurt as a united city might inspire the people of Valga/Valka in working out a united city, therefore local people are called to join public workshops and discussions during Kurzwelly's 3 week residency.

The exhibition is supported by Center for Contemporary Arts Estonia and their Estonia 100 art program “Comers, Goers and Stayers – the histories of Estonian communities”.

Thank you Anna Laganovska, Helen Elbrecht


Tanel Rander
researcher-curator-artist













Friday, November 4, 2016


PROMISED LIGHT
Gallery Noorus 13.10. - 29.10.2016
Tartu Art House 20.10. - 13.11.2016
Anna Salmane and Krišs Salmanis (Latvia), Bence György Pálinkás (Hungary), Berat Işık (Turkey), David Kellner (Austria), Diana Tamane (Estonia/Latvia), Jevgeni Zolotko (Estonia), Matija Plevnik (Slovenia), Rapolas Valiukevičius and Aukstasis Moxlas (Lithuania) and Terje Toomistu (Estonia)












Archives and Disobedience. Changing Tactics of Visual Culture in Eastern Europe
Edited by Margaret Tali and Tanel Rander
Estonian Academy of Arts Press, 2016


more info:


Wednesday, August 10, 2016


THIRD WAY
Solo exhibition by Tanel Rander
Tallinn City Gallery
12.08. - 11.11.16








(photos by Karel Koplimets/Tallinna Kunstihoone)